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dc.contributor.advisorAlejo, Philipen
dc.contributor.authorGurczak, Adam Stanley
dc.creatorGurczak, Adam Stanleyen
dc.date.accessioned2017-07-28T17:47:24Z
dc.date.available2017-07-28T17:47:24Z
dc.date.issued2017
dc.identifier.citationGurczak, Adam Stanley. (2017). An Anthropological Perspective on Eastern and Western Folk Music (Bachelor's thesis, University of Arizona, Tucson, USA).
dc.identifier.urihttp://hdl.handle.net/10150/625002
dc.description.abstractAs a performing artist, I felt that the study of world music was incomplete without an active understanding of the music through first-hand performance. As such, this paper was accompanied by a recital in which I, as a double-bassist, performed works from around the globe. In parallel to this thesis, the pieces originated from Argentina, Korea, and China—as well as others—while also including an original composition that incorporated influences of modern American bluegrass with contemporary classical music. The study of and preparation of these works consisted of research and practice of regional stylistic characteristics and their application to double bass performance.
dc.language.isoen_USen
dc.publisherThe University of Arizona.en
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.titleAn Anthropological Perspective on Eastern and Western Folk Musicen_US
dc.typetexten
dc.typeElectronic Thesisen
thesis.degree.grantorUniversity of Arizonaen
thesis.degree.levelbachelorsen
thesis.degree.disciplineHonors Collegeen
thesis.degree.disciplineMusic Performanceen
thesis.degree.nameB.M.en
refterms.dateFOA2018-06-17T16:56:30Z
html.description.abstractAs a performing artist, I felt that the study of world music was incomplete without an active understanding of the music through first-hand performance. As such, this paper was accompanied by a recital in which I, as a double-bassist, performed works from around the globe. In parallel to this thesis, the pieces originated from Argentina, Korea, and China—as well as others—while also including an original composition that incorporated influences of modern American bluegrass with contemporary classical music. The study of and preparation of these works consisted of research and practice of regional stylistic characteristics and their application to double bass performance.


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