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dc.contributor.advisorRankin, Cindyen
dc.contributor.authorWilson, Victoria Evelyn Anne
dc.creatorWilson, Victoria Evelyn Anneen
dc.date.accessioned2017-08-10T21:46:15Z
dc.date.available2017-08-10T21:46:15Z
dc.date.issued2017
dc.identifier.citationWilson, Victoria Evelyn Anne. (2017). Anatomy in Media: Seeking the Line Between Good and Ghastly (Bachelor's thesis, University of Arizona, Tucson, USA).
dc.identifier.urihttp://hdl.handle.net/10150/625243
dc.description.abstractThis project seeks to examine and contextualize modern portrayals of anatomy, in order to address an apparent shift in television media towards graphic and violent anatomical imagery. Specifically, the present study is concerned with the effects of serial killer narratives on audience perceptions of anatomy, because such shows represent particularly stark examples of brutal anatomical imagery. Additionally, serial killer narratives were chosen because they appear, in their modern iterations, to intentionally humanize their killer characters in an attempt to make them relatable to their audience. This makes them suspect of having an unprecedented ability to affect their audience's perspectives. Such potential engenders the following research questions: 1) Is the anatomical imagery of serial killer narratives anomalous in the wider spectrum of historical and modern genres of anatomical imagery, and 2) Does the anatomical imagery of these narratives appear to have impact on their audiences' perceptions of anatomy? The present study suggests that the images differ from other genres on many fronts, including visual qualities, overall impression, and apparent intended effect. Additionally, the present study suggests that viewers of serial killer narratives are likely to have opposite opinions of anatomical imagery from audiences that have not viewed the same images.
dc.language.isoen_USen
dc.publisherThe University of Arizona.en
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.titleAnatomy in Media: Seeking the Line Between Good and Ghastlyen_US
dc.typetexten
dc.typeElectronic Thesisen
thesis.degree.grantorUniversity of Arizonaen
thesis.degree.levelbachelorsen
thesis.degree.disciplineHonors Collegeen
thesis.degree.disciplinePhysiologyen
thesis.degree.nameB.S.en
refterms.dateFOA2018-06-15T12:58:50Z
html.description.abstractThis project seeks to examine and contextualize modern portrayals of anatomy, in order to address an apparent shift in television media towards graphic and violent anatomical imagery. Specifically, the present study is concerned with the effects of serial killer narratives on audience perceptions of anatomy, because such shows represent particularly stark examples of brutal anatomical imagery. Additionally, serial killer narratives were chosen because they appear, in their modern iterations, to intentionally humanize their killer characters in an attempt to make them relatable to their audience. This makes them suspect of having an unprecedented ability to affect their audience's perspectives. Such potential engenders the following research questions: 1) Is the anatomical imagery of serial killer narratives anomalous in the wider spectrum of historical and modern genres of anatomical imagery, and 2) Does the anatomical imagery of these narratives appear to have impact on their audiences' perceptions of anatomy? The present study suggests that the images differ from other genres on many fronts, including visual qualities, overall impression, and apparent intended effect. Additionally, the present study suggests that viewers of serial killer narratives are likely to have opposite opinions of anatomical imagery from audiences that have not viewed the same images.


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