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dc.contributor.advisorRaval, Sureshen
dc.contributor.authorWinet, Ryan
dc.creatorWinet, Ryanen
dc.date.accessioned2017-11-29T01:29:22Z
dc.date.available2017-11-29T01:29:22Z
dc.date.issued2017
dc.identifier.urihttp://hdl.handle.net/10150/626162
dc.description.abstractMy dissertation focuses on nineteenth-century American literature texts that engage with ruins and monuments. Traditionally, this interaction has been treated as a formal curiosity for literary critics, but this project argues interarts literature carries important implications for public sphere theory, especially in cases when an author writes about nationalist architecture and iconography.
dc.language.isoen_USen
dc.publisherThe University of Arizona.en
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.en
dc.subjectekphrasisen
dc.subjecticonographyen
dc.subjectmonumentsen
dc.subjectnationalismen
dc.subjectpublic sphere theoryen
dc.subjectruinsen
dc.titleVulgar Grandeur: Literature and the American Monument during the Long Nineteenth Centuryen_US
dc.typetexten
dc.typeElectronic Dissertationen
thesis.degree.grantorUniversity of Arizonaen
thesis.degree.leveldoctoralen
dc.contributor.committeememberRaval, Sureshen
dc.contributor.committeememberNathanson, Tenneyen
dc.contributor.committeememberMelillo, Johnen
thesis.degree.disciplineGraduate Collegeen
thesis.degree.disciplineEnglishen
thesis.degree.namePh.D.en
refterms.dateFOA2018-09-12T00:17:36Z
html.description.abstractMy dissertation focuses on nineteenth-century American literature texts that engage with ruins and monuments. Traditionally, this interaction has been treated as a formal curiosity for literary critics, but this project argues interarts literature carries important implications for public sphere theory, especially in cases when an author writes about nationalist architecture and iconography.


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