Vulgar Grandeur: Literature and the American Monument during the Long Nineteenth Century
dc.contributor.advisor | Raval, Suresh | en |
dc.contributor.author | Winet, Ryan | |
dc.creator | Winet, Ryan | en |
dc.date.accessioned | 2017-11-29T01:29:22Z | |
dc.date.available | 2017-11-29T01:29:22Z | |
dc.date.issued | 2017 | |
dc.identifier.uri | http://hdl.handle.net/10150/626162 | |
dc.description.abstract | My dissertation focuses on nineteenth-century American literature texts that engage with ruins and monuments. Traditionally, this interaction has been treated as a formal curiosity for literary critics, but this project argues interarts literature carries important implications for public sphere theory, especially in cases when an author writes about nationalist architecture and iconography. | |
dc.language.iso | en_US | en |
dc.publisher | The University of Arizona. | en |
dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en |
dc.subject | ekphrasis | en |
dc.subject | iconography | en |
dc.subject | monuments | en |
dc.subject | nationalism | en |
dc.subject | public sphere theory | en |
dc.subject | ruins | en |
dc.title | Vulgar Grandeur: Literature and the American Monument during the Long Nineteenth Century | en_US |
dc.type | text | en |
dc.type | Electronic Dissertation | en |
thesis.degree.grantor | University of Arizona | en |
thesis.degree.level | doctoral | en |
dc.contributor.committeemember | Raval, Suresh | en |
dc.contributor.committeemember | Nathanson, Tenney | en |
dc.contributor.committeemember | Melillo, John | en |
thesis.degree.discipline | Graduate College | en |
thesis.degree.discipline | English | en |
thesis.degree.name | Ph.D. | en |
refterms.dateFOA | 2018-09-12T00:17:36Z | |
html.description.abstract | My dissertation focuses on nineteenth-century American literature texts that engage with ruins and monuments. Traditionally, this interaction has been treated as a formal curiosity for literary critics, but this project argues interarts literature carries important implications for public sphere theory, especially in cases when an author writes about nationalist architecture and iconography. |