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    Symphony No. 1 in F Major, Op. 17, By Zdeněk Fibich: An Amalgamation of Czech and German Musical Styles

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    Author
    Dunbar, David Arthur
    Issue Date
    2017
    Keywords
    czech
    fibich
    nationalism
    style
    symphonies
    symphony
    Advisor
    Cockrell, Thomas
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    The purpose of this study is to demonstrate that Symphony No. 1 in F major, Op. 17, by Zdeněk Fibich embodies musical style features associated with both Czech and German composers of the nineteenth century. The identification of these style features is accomplished by comparing and contrasting Fibich's Symphony No. 1 in F major with works by other prominent Czech and German composers whose music was performed and well-known at the time. Particular emphasis is placed on the aural similarities between Fibich's first symphony and that of other composers' works in an effort to show Fibich's unique hybrid compositional style. A second area of focus is the rise in European nationalism during the latter half of the nineteenth century. Due to Fibich's mixed Czech and German heritage, nationalism is explored in order to ascertain what effect, if any, nationalistic bias might have had on the overall reception of Fibich's music and the composer's ability to have his music performed during his lifetime.
    Type
    text
    Electronic Dissertation
    Degree Name
    D.M.A.
    Degree Level
    doctoral
    Degree Program
    Graduate College
    Music
    Degree Grantor
    University of Arizona
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