La Movida Madrileña and the Rock Radical Vasco as Political and Social Agents in Post-Franco Spain: Their influence on Popular Musical Practices of 21st-Century Spain
| dc.contributor.advisor | Compitello, Malcolm | en |
| dc.contributor.author | Novillo Perez, Cecilio Jose | |
| dc.creator | Novillo Perez, Cecilio Jose | en |
| dc.date.accessioned | 2018-02-21T19:39:10Z | |
| dc.date.available | 2018-02-21T19:39:10Z | |
| dc.date.issued | 2017 | |
| dc.identifier.uri | http://hdl.handle.net/10150/626715 | |
| dc.description.abstract | In Spain, the era of political transition to democracy known as La Transición during the 1970s and 1980s led to changes in Spanish popular music (i.e., pop, rock, punk) which became the musical representation of the new democracy’s social and political changes. Two different musical movements of that period, La Movida Madrileña and Rock Radical Vasco, established boundaries between official mainstream music and its musical counterculture counterpart, underground, and subversive musical practices within Spanish democracy. This thesis examines the nature of those musical practices, their song lyrics, and their social and political interpretations, including their influence on current musical practices. | |
| dc.language.iso | en_US | en |
| dc.publisher | The University of Arizona. | en |
| dc.rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. | en |
| dc.subject | La Movida Madrileña | en |
| dc.subject | Music and politics | en |
| dc.subject | Rock Radical Vasco | en |
| dc.subject | Spanish punk and pop | en |
| dc.subject | Spanish Transition | en |
| dc.subject | Transición Española | en |
| dc.title | La Movida Madrileña and the Rock Radical Vasco as Political and Social Agents in Post-Franco Spain: Their influence on Popular Musical Practices of 21st-Century Spain | en_US |
| dc.type | text | en |
| dc.type | Electronic Thesis | en |
| thesis.degree.grantor | University of Arizona | en |
| thesis.degree.level | masters | en |
| dc.contributor.committeemember | Compitello, Malcolm | en |
| dc.contributor.committeemember | Corso, Dawn | en |
| dc.contributor.committeemember | Brobeck, John | en |
| thesis.degree.discipline | Graduate College | en |
| thesis.degree.discipline | Music | en |
| thesis.degree.name | M.M. | en |
| refterms.dateFOA | 2018-07-01T23:40:34Z | |
| html.description.abstract | In Spain, the era of political transition to democracy known as La Transición during the 1970s and 1980s led to changes in Spanish popular music (i.e., pop, rock, punk) which became the musical representation of the new democracy’s social and political changes. Two different musical movements of that period, La Movida Madrileña and Rock Radical Vasco, established boundaries between official mainstream music and its musical counterculture counterpart, underground, and subversive musical practices within Spanish democracy. This thesis examines the nature of those musical practices, their song lyrics, and their social and political interpretations, including their influence on current musical practices. |
