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dc.contributor.advisorHudson, Leila
dc.contributor.authorAdams, Danielle K.
dc.creatorAdams, Danielle K.
dc.date.accessioned2018-10-12T01:01:45Z
dc.date.available2018-10-12T01:01:45Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/10150/630173
dc.description.abstractBefore the days of Islam, the celestial geography of Arabian astronomy was heavily textured and characterized by a rich multivalency of meaning derived from visual observation at various times of night and seasons of the year. Stars and star groupings were cultural texts that could be read by anyone in the community who knew their meanings, which were transmitted through poetry and rhymed prose outside of direction observation in the night sky. This is a characteristic of the celestial chronotope, a concept that describes the transmissible cultural meanings attached to the appearance of stars as they moved through time and space. Many stars were connected to each other as parts of overlapping associations of stars. Arabian folkloric celestial complexes depicted scenes in the sky, with individual stars often representing animals or people, but sometimes drawing single figures together like the constellations of Greek astronomy. Arabian calendrical celestial complexes included setting rain stars (al-anwāʾ) and also rising stars that forecast seasonal changes. The rain stars that set just before dawn were especially laden with meaning and were commonly ascribed agency for bringing seasonal rains, a situation that was immediately at odds with the monotheistic tenets of formative Islam. Over time, Arabian celestial complexes were fragmented and incorporated within the framework of foreign astronomical systems, including the lunar stations (manāzil al-qamar), a calendar that claimed a uniform separation in time and space between each star grouping that was not reflected in the actual observation of the sky. These changes effectively flattened the multivalent textures of Arabian astronomy, reducing its observed celestial complexes and agency-laden celestial chronotopes to hegemonic discourses that imposed regularity within a systematic universe. As a speech act itself, this dissertation reanimates the Arabian celestial chronotopes and celestial complexes by stripping away the hegemonic discourses that imposed order upon them and effaced their multivalency.
dc.language.isoen
dc.publisherThe University of Arizona.
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
dc.subjectal-anwāʾ
dc.subjectArabic poetry
dc.subjectcultural astronomy
dc.subjecthistory of astronomy
dc.subjectlunar stations
dc.subjectstar names
dc.titleRain Stars Set, Lunar Stations Rise: Multivalent Textures of Pre-Islamic Arabian Astronomy and the Hegemonic Discourse of Order
dc.typetext
dc.typeElectronic Dissertation
thesis.degree.grantorUniversity of Arizona
thesis.degree.leveldoctoral
dc.contributor.committeememberLucas, Scott C.
dc.contributor.committeememberNoorani, Yaseen
dc.contributor.committeememberSilverstein, Brian
dc.contributor.committeememberPoss, Richard L.
thesis.degree.disciplineGraduate College
thesis.degree.disciplineMiddle Eastern & North African Studies
thesis.degree.namePh.D.
refterms.dateFOA2018-10-12T01:01:45Z


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