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dc.contributor.advisorRoth, Lauren R.
dc.contributor.advisorAléjo, Philip
dc.contributor.authorAbraham, Immanuel Tzemach
dc.creatorAbraham, Immanuel Tzemach
dc.date.accessioned2019-03-21T01:12:39Z
dc.date.available2019-03-21T01:12:39Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/10150/631897
dc.description.abstractThe thesis of this document comprises two parts. The first demonstrates that recomposing Bach’s Chaconne has formed an interpretive tradition among performer-composers over the past one hundred eighty years. The second is dependent upon the first, and explicates how this tradition may be methodically used by performer-composers interpreting Bach’s Chaconne upon the unaccompanied modern violin. A comprehensive realization of this thesis has been arranged by the author in a complete, annotated score following the document's conclusions.
dc.language.isoen
dc.publisherThe University of Arizona.
dc.rightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
dc.subjectBach
dc.subjectBach Chaconne
dc.subjectChaconne
dc.subjectImmanuel Abraham
dc.subjectMusic
dc.subjectViolin
dc.titleJ.S. Bach’s Chaconne for Solo Violin: A Performer-Composer’s Approach to Interpretation
dc.typetext
dc.typeElectronic Dissertation
thesis.degree.grantorUniversity of Arizona
thesis.degree.leveldoctoral
dc.contributor.committeememberPatterson, R. Thomas
dc.contributor.committeememberBrobeck, John T.
thesis.degree.disciplineGraduate College
thesis.degree.disciplineMusic
thesis.degree.nameD.M.A.
refterms.dateFOA2019-03-21T01:12:39Z


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