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dc.contributor.authorValladas, H.
dc.contributor.authorTisnérat-Laborde, N.
dc.contributor.authorCachier, H.
dc.contributor.authorArnold, M.
dc.contributor.authorde Quirós, F. Bernaldo
dc.contributor.authorCabrera-Valdés, V.
dc.contributor.authorClottes, J.
dc.contributor.authorCourtin, J.
dc.contributor.authorFortea-Pérez, J. J.
dc.contributor.authorGonzáles-Sainz, C.
dc.contributor.authorMoure-Romanillo, A.
dc.date.accessioned2021-02-11T21:32:42Z
dc.date.available2021-02-11T21:32:42Z
dc.date.issued2001-01-01
dc.identifier.citationValladas, H., Tisnérat-Laborde, N., Cachier, H., Arnold, M., de Quirós, F. B., Cabrera-Valdés, V., ... & Moure-Romanillo, A. (2001). Radiocarbon AMS dates for Paleolithic cave paintings. Radiocarbon, 43(2B), 977-986.
dc.identifier.issn0033-8222
dc.identifier.doi10.1017/S0033822200041643
dc.identifier.urihttp://hdl.handle.net/10150/654570
dc.descriptionFrom the 17th International Radiocarbon Conference held in Jerusalem, Israel, June 18-23, 2000.
dc.description.abstractAdvances in radiocarbon dating by accelerator mass spectrometry (AMS) have made it possible to date prehistoric cave paintings by sampling the pigment itself instead of relying on dates derived from miscellaneous prehistoric remains recovered in the vicinity of the paintings. The work at the Laboratoire des Sciences du Climat et de l’Environnement (LSCE) concentrated on prehistoric charcoal cave paintings from southern France and northern Spain. In most caves, pigment samples were collected from several paintings, and in some instances the sample size allowed for multiple independent measurements on the same figure, so that the coherence of the calculated dates could be tested. Before being dated, each specimen was subjected to a thermal treatment preceded by an acid and basic treatment of intensity commensurate with the sample size. Nine bison drawings from three caves in the Cantabrian region of Spain—two from Covaciella, three from Altamira, and four from El Castillo—were sampled and dated. The 27 dates fell between 13,000 and 14,500 BP, allowing us to attribute the drawings to the Magdalenian period. The 24 dates for 13 drawings in the Cosquer cave indicated two distinct periods of painting activity—one around 28,000 BP and the other around 19,000 BP. The Chauvet cave paintings turned out to be the oldest recorded to date, as five dates fell between 32,000 and 31,000 BP. After discussing the sample preparation protocol in more detail, we will discuss the ages obtained and compare them with other chronological data.
dc.language.isoen
dc.publisherDepartment of Geosciences, The University of Arizona
dc.relation.urlhttp://radiocarbon.webhost.uits.arizona.edu/
dc.rightsCopyright © by the Arizona Board of Regents on behalf of the University of Arizona. All rights reserved.
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.titleRadiocarbon AMS Dates for Paleolithic Cave Paintings
dc.typeProceedings
dc.typetext
dc.identifier.journalRadiocarbon
dc.description.collectioninformationThe Radiocarbon archives are made available by Radiocarbon and the University of Arizona Libraries. Contact lbry-journals@email.arizona.edu for further information.
dc.eprint.versionFinal published version
dc.description.admin-noteMigrated from OJS platform February 2021
dc.source.volume43
dc.source.issue2B
dc.source.beginpage977
dc.source.endpage986
refterms.dateFOA2021-02-11T21:32:42Z


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