Listener-Based Analysis of Electroacoustic Music: A Selected Chronology of Methods as Applied to Amproprification #1 and Sorstalanság
Publisher
The University of Arizona.Rights
Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author.Abstract
Since the introduction of electroacoustic music analysis in the 1960s, many distinct methods of analysis have been created such as spectromorphology, sonograms, and listener-based methods. However, no standardized method of analysis has been agreed upon, and little advancement has been made in terms of solidifying an authoritative method for analysis of electroacoustic music. This document chronicles a history of methods of electroacoustic music analysis, and demonstrates the use of different methods in the investigation of two pieces for electroacoustic bass clarinet: Amproprification #1 by Maximillian Marcoll, and Sorstalanság by Jorge Vasquez-Solvagno.Type
textElectronic Dissertation
Degree Name
D.M.A.Degree Level
doctoralDegree Program
Graduate CollegeMusic