• Login
    View Item 
    •   Home
    • UA Graduate and Undergraduate Research
    • UA Theses and Dissertations
    • Master's Theses
    • View Item
    •   Home
    • UA Graduate and Undergraduate Research
    • UA Theses and Dissertations
    • Master's Theses
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Browse

    All of UA Campus RepositoryCommunitiesTitleAuthorsIssue DateSubmit DateSubjectsPublisherJournalThis CollectionTitleAuthorsIssue DateSubmit DateSubjectsPublisherJournal

    My Account

    LoginRegister

    About

    AboutUA Faculty PublicationsUA DissertationsUA Master's ThesesUA Honors ThesesUA PressUA YearbooksUA CatalogsUA Libraries

    Statistics

    Most Popular ItemsStatistics by CountryMost Popular Authors

    Contemporary Catholic Music: Origins, Harmonic Process, and the Leading-Refrain Form

    • CSV
    • RefMan
    • EndNote
    • BibTex
    • RefWorks
    Thumbnail
    Name:
    azu_etd_20274_sip1_m.pdf
    Size:
    1.554Mb
    Format:
    PDF
    Download
    Author
    Payne, Nathan H.
    Issue Date
    2023
    Keywords
    Catholic
    Contemporary
    Leading-Refrain
    Music
    Nathan Payne
    Vatican II
    Advisor
    Muniz, John
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    In 1962, the Second Ecumenical of the Vatican (known as Vatican II) began a series ofliturgical reforms that presently affect modern day Catholic worship. The Vatican II reforms ushered in a new sacred musical style known as Contemporary Catholic Music (CCM), which incorporates traditional/secular styles (e.g., gospel, folk, etc.). The present study provides the origins of CCM, analyzes the harmonic processes found within CCM using Harrisonian scale-degree theory, and details the harmonic and formal process of leading-refrain form.
    Type
    Electronic Thesis
    text
    Degree Name
    M.M.
    Degree Level
    masters
    Degree Program
    Graduate College
    Music
    Degree Grantor
    University of Arizona
    Collections
    Master's Theses

    entitlement

     
    The University of Arizona Libraries | 1510 E. University Blvd. | Tucson, AZ 85721-0055
    Tel 520-621-6442 | repository@u.library.arizona.edu
    DSpace software copyright © 2002-2017  DuraSpace
    Quick Guide | Contact Us | Send Feedback
    Open Repository is a service operated by 
    Atmire NV
     

    Export search results

    The export option will allow you to export the current search results of the entered query to a file. Different formats are available for download. To export the items, click on the button corresponding with the preferred download format.

    By default, clicking on the export buttons will result in a download of the allowed maximum amount of items.

    To select a subset of the search results, click "Selective Export" button and make a selection of the items you want to export. The amount of items that can be exported at once is similarly restricted as the full export.

    After making a selection, click one of the export format buttons. The amount of items that will be exported is indicated in the bubble next to export format.