An Exploration of Methodologies for Transcription as Applied to Kevin Day's

Abstract

This dissertation explores methodologies for transcribing music from one ensemble type to another, focusing on Kevin Day's Manhattan Nights. Transcribing contemporary works requires a nuanced understanding of the original composition's intent in conjunction with the target ensemble's unique characteristics. A wind band transcription of Day’s Manhattan Nights, a work originally composed for orchestra, was created with the goal of preserving the composer's stylistic and conceptual intentions. Two transcription methodologies were examined. The first, a traditional method, involves directly transferring string parts from the orchestral score to the wind band. The second method emphasizes interpreting the spirit and character of the music, allowing the transcriber to make creative decisions based on these elements. Day utilizes borrowed musical styles throughout the work to create a “snapshot portrait” of New York City. The creation of this transcription required consideration of the performance practices of these borrowed styles. In consultation with the second transcription method, the work's essence was retained in the wind band version. This transcription enhances the repertoire for wind bands, offering an interpretation of contemporary music that incorporates elements of various styles. By integrating performance practices of diverse genres, this transcription provides wind bands access to a work reflecting vibrant and diverse musical influences.