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    Disseminating Intermediate Level Viola Repertoire

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    Author
    Tovo Loureiro, Ana Luiza
    Issue Date
    2025
    Advisor
    Hernández Parra, Esteban
    Alejo, Philip
    
    Metadata
    Show full item record
    Publisher
    The University of Arizona.
    Rights
    Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author.
    Abstract
    The mainstream approach to teaching the viola by using repertoire that is composed for other string instruments, such as pieces originally for violin, is problematic because it does not address challenges that are inherent to the viola, thereby not adequately preparing students for future technical and musical challenges in standard viola repertoire. Furthermore, the longstanding practice of relying on borrowed repertoire that does not take into account the specific acoustical qualities of the viola often results in subpar arrangements precisely because the repertoire does not take advantage of the tonal possibilities of the instrument and relies upon registers where the viola does not resonate fully. Moreover, appropriated repertoire can present technical challenges that prove discouraging for intermediate-level students, potentially hindering their progress and engagement with their studies. In order to move away from this approach to teaching the viola, this project aims to disseminate intermediate-level repertoire that is original for viola as well as resources to help teachers better prepare their students for their future artistic and technical challenges. A brief overview of salient aspects in the history of the viola contextualizes the rationale behind this endeavor in the document. Then, the YouTube channel Intermediate Viola Rep - which is the final product of this project and the means through which the dissemination effort happens is discussed. Subsequently, the pieces and the background of each composer featured in the channel are introduced. Then, the pedagogical aspects considered when choosing these pieces are discussed and examples from each piece provided, as well as links to the companion video that illustrates how those pedagogical aspects appear in each piece. Final considerations that include future directions for the project close this document.
    Type
    text
    Electronic Dissertation
    Degree Name
    D.M.A.
    Degree Level
    doctoral
    Degree Program
    Graduate College
    Music
    Degree Grantor
    University of Arizona
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